REVIEW: Putting It Together
- Tori Bullard (they/them)
- 3 days ago
- 2 min read
Putting It Together at The Foundry Theatre is a genuine delight for Sondheim devotees and lovers of classic musical theatre. Presented as a musical revue rather than a traditional book musical, the show unfolds at a glamorous cocktail party where themes of love, ambition, and desire gently frame a carefully curated selection of Stephen Sondheim’s work. The structure allows iconic numbers from musicals such as Company and Merrily We Roll Along to sit comfortably alongside lesser-known pieces, giving the music space to breathe without ever forcing songs into a story they were never written to serve. As a devoted Sondheim fan, I did find myself wishing for more Sunday in the Park with George. The moments we do get are exquisite, leaving you longing for just one more brushstroke from that score, but the overall curation remains deeply satisfying.
Musically, the night soars. The standout moment is the stunning arrangement of ‘Being Alive’, crafted by Musical Supervisor Guy Simpson and Musical Director Kevin Wang. It transforms an already iconic song into something deeply intimate and emotionally resonant. Lush and haunting, it is the kind of rendition that stays with you long after the final note. Truly, I need this version injected into my veins immediately.
Caroline O’Connor is, unsurprisingly, a revelation. From her first entrance, she commands the room with ease, channeling a Liza Minnelli-esque energy while remaining completely her own. Her comedic timing is impeccable, but it is her quieter, more vulnerable moments that truly shine. She absolutely smashes ‘Not Getting Married Today’, delivering it with ferocity, precision, and breathtaking control. It is a masterclass in musical theatre performance.
Stefanie Caccamo is a standout, boasting a crystal-clear voice that feels effortless while brimming with intention and warmth. Her presence is joyful, and she brings spark and vitality to every moment she’s on stage. Michael Cormick and Nigel Huckle offer soaring vocals and rich, smooth tones, grounding the show with confidence and gravitas. A particular highlight comes from Bert LaBonté, whose brief appearances are utterly magnetic. Each interjection lands beautifully, leaving you wishing for more.
Visually, the production is clean and refined. Nick Fry’s sleek New York penthouse-inspired set feels perfectly suited to the cocktail party setting, while Nigel Shaw’s costumes are classic and elevated, enhancing the performers without ever pulling focus from the music. Under Cameron Mitchell’s direction and choreography, the show flows seamlessly, maintaining momentum while allowing individual performances to shine.
With words and music by Stephen Sondheim, devised alongside Julia McKenzie, and orchestrations by the legendary Jonathan Tunick, Putting It Together knows exactly what it is. It is a loving, intelligent celebration of Sondheim’s work, delivered with precision, care, and genuine affection.
I went in with few expectations beyond “oh my god, it’s Caroline O’Connor” and a deep love for Sondheim. I left utterly charmed. For fans of Sondheim and classic musical theatre alike, this is not to be missed.
'Putting It Together' is playing at The Foundry Theatre until the 15th of February
